Issue 15: Twin Peaks: The Return
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In this issue
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- Editor's Introduction for NANO Special Issue 15: Twin Peaks: The Return
- The Horse is the White of the Eye: Pioneering and the American Southwest in Twin Peaks
- David Lynch Sprawls
- Sentiment, Mood, and Performing the Past: James Hurley’s Re-enactment of “Just You” in Twin Peaks: The Return
- The Artistic Evangelism of David Lynch: Transcendental Meditation, World Peace, and Laura Palmer
- “I am dead yet I live”: Revealing the Enigma of Art in Twin Peaks: The Return
- Drink Full and Descend: The Horror of Twin Peaks: The Return
- “The Past Dictates the Future”: Epistemic Ambivalence and the Compromised Ethics of Complicity in Twin Peaks: The Return and Fire Walk with Me
- Kafka, Lynch, and Frost—The Trial and Tribulations in Twin Peaks: The Return
- Review: Someone Is in My House: The Art of David Lynch at the Bonnefanten Museum
- Editor's Postscript for NANO Special Issue 15: Twin Peaks: The Return, Walter Benjamin, and Jeffrey Epstein