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Issue 15: Twin Peaks: The Return
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In this issue...
Editor's Introduction for NANO Special Issue 15: Twin Peaks: The Return
The Horse is the White of the Eye: Pioneering and the American Southwest in Twin Peaks
David Lynch Sprawls
Sentiment, Mood, and Performing the Past: James Hurley’s Re-enactment of “Just You” in Twin Peaks: The Return
The Artistic Evangelism of David Lynch: Transcendental Meditation, World Peace, and Laura Palmer
“I am dead yet I live”: Revealing the Enigma of Art in Twin Peaks: The Return
Drink Full and Descend: The Horror of Twin Peaks: The Return
“The Past Dictates the Future”: Epistemic Ambivalence and the Compromised Ethics of Complicity in Twin Peaks: The Return and Fire Walk with Me
Kafka, Lynch, and Frost—The Trial and Tribulations in Twin Peaks: The Return
Review: Someone Is in My House: The Art of David Lynch at the Bonnefanten Museum
Editor's Postscript for NANO Special Issue 15: Twin Peaks: The Return, Walter Benjamin, and Jeffrey Epstein